St Chad’s Church Poulton-le-Fylde, Ink and Watercolor

St Chad’s Church Poulton-le-Fylde, Ink and Watercolor

St Chad’s Church Poulton, Pen and Ink and Watercolour

This is a pen and ink and watercolor painting that I created this week.

The method that I used is similar to the Sketch Journal Page from last time, but without the commentary that goes with a journal entry.

Buildings

I do enjoy drawing buildings. I find them easier than people or animals which always seem to look a little weird.

I joined my local Urban Sketchers group the year before lockdown and I found it very interesting to draw what was in my city.

Back then I was using a pencil and Tombow markers because I had no paints or crayons for that matter. I didn’t know just how much I was going to love getting back into art after so many years.





Sacred Places as Subject Matter

Sacred places are typically buildings, groves, fields or monuments that have special meaning for people. They can be places where people congregate and find community.

St Chad’s Church

Many years ago, I lived in a small village near St Chad’s church in Poulton-le-Fylde, Lancashire, England. I was christened in that church, so it seems a good sacred building to start with.

I found some images of St Chad’s church online, and looking at the images for reference, I drew the front façade of the building and added a tree.

I suspect that it is a Norman church by the square tower, but that is really as far as my knowledge goes.

In a way it is an inconspicuous building as churches go.

It seems to have been built between 1086 and 1094. You can read more about the history of this St Chad’s church here.

Each spring there is a wonderful display of lilac and purple crocuses over the entrance lawns.

Crocus

Pencil Sketch

Using an HB pencil, I began with a light sketch and combined all the features from a few photos that I looked at online. I can’t show those photos here as they are copywrite to someone else.

I chose watercolor paper from Strathmore size 140mm x 216mm or 5 ½ x 8 ½ inches.

Pencil sketch

Pen and Ink

With a 0.1mm black pen I drew the main lines of the building and the other features.

After this I gently erased the pencil lines so they were no more. If you leave the pencil lines on the page you will see them through the watercolor paint and then you cannot get rid of them once they have been painted over.

Pen and Ink

Watercolor

With a light mixture of Payne’s grey and brown I started to lightly wash the building walls. I tried to add a little more grey for each separate type of brick work just to add some interest.

Here I used a number 6 watercolor brush and kept gently rolling it to mop up excess water each time.

I repeated the color layers a few times to add depth to the color and to vary the shadows a little.

Watercolor

Once that part was dry, I went in with a finer brush (number 2) and with denser paint I laid down some brick marks and roof tiles just to give the effect of rough texture to the stonework.

For the grass I mixed an olive green with a touch of burnt sienna.

I always avoid the bright greens that are in my paint box. They are not natural and are glaring when used in a landscape painting. It is best practice to mix colors and never use them straight out of the little pans.

Pencil Crayon

With my pencil crayons in several tones of cool grey I gently added small definitions like the shadows below the eaves and the door recesses. This brings details to life and adds shadows to suggest depth.

Colored pencil highlights

Pen Again

I went over the main structure lines once more with my fine 0.1mm pen and in some places I employed a 0.3mm black pen.

Gold Trim

I do love some gold trim in my artworks. In this drawing it was a challenge to know where to add a spot of gleam, but I found one or two spots that could do with some life.

Shimmer of gold

Overall

I am really happy with this painting. Receiving a watercolor set from my son-in-law this past Christmas, I am a relative newcomer to watercolor painting.

This piece is probably my fifth painting so far using this art medium.

Complete

There was some flow over of color especially around the tree, but I will get better at controlling the paint and handling my brushes with some practice.

Let me know what you think.

Alison




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Sketch Journaling For Beginner Artists

Sketch Journaling For Beginner Artists

Journaling

Journaling is a popular way to document your life-journey. There are several ways to create your own journals. Let’s have a quick look at some types of journaling.

1 Bullet Journaling

Bullet journals typically have bulleted points and lists of things to do. You can track what you did with mood trackers and habit trackers. Bullet journals can be done simply with a pen. I started my excursion into journaling with a bullet journal a few years ago.

2 Art Journaling

Art journaling is really when you paint a picture in a journal. Art journals can have collage elements that embellish the pages as well. For art journaling I prefer to use a watercolor book. With the better paper, you can paint what you see as you visit places like the beach or a new part of the city.

Art journals really are an extension of a sketchbook. I began art journaling when I joined my city “Urban Sketchers” group that used to meet once a month to draw specific building, bridges or public artworks. Groups like this offer you an abundant community of like-minded artists.

3 Sketch Journaling

Sketch journaling is more about the pen and ink sketch that can be painted or colored with pencil or markers and generally chronicles your day.

With sketch journaling each page is for a specific day or trip to somewhere like a city, sports event or restaurant that was memorable.

Sketch journaling usually features the date almost like a diary entry.

You can look back and see what you were doing on a specific day.

Sketch journaling is typically not done for every day of the year, but perhaps twice a week or twice a month for hey days and holidays.

 

Sketch Journal Challenges

Some dedicated sketch journalists will take up the challenge to sketch journal every day for a month or something like that. These challenges are good to get you in the habit of sketch journaling. We are organizing a “Seasonal Self-care Sketch Journal Challenge” later this year the details of which will be posted soon.

Sketch Journaling

Page Design Elements

Your journal page needs to have a few spaces to write your insights, quotes, notes and remarks. These comments can be around what happened that day, who you met, where you went, what you did and how you felt. You can also add the date, the temperature and weather conditions, day-in-the-life observations, meals shared and the food you enjoyed preparing.

Sketch Journal Page Process

Pencil Sketch

Start with a light pencil sketch to give the bones of the drawing. Make three spaces for writing some comments. You will add these notes and observations later as the day unfolds. You will erase the pencil lines after you have completed the pen and ink overlay.

 

Pen and Ink Overlay

When you are happy with your pencil sketch, draw over the lines with a black pen. Start with the finest pen you have. I typically use a 0.1mm nib for the first ink overlay. The thin ink lines are used as a guide for the watercolor wash. I may go back in after the watercolor with a thicker nib pen like a 0.3mm or a 0.5mm pen to add definition only to certain areas of the drawing, but I won’t know this until later. When the ink is completely dry, gently erase the pencil lines with a white plastic eraser and brush the dirt from the page. Avoid using a sweaty hand to wipe off the erasing’s as this can add smears to the page. With a soft brush, sweep all erasing grime onto the floor and not onto your desk workspace.

 

 



Watercolor Wash

Add a light, very light watercolour wash to a few areas of the drawing. I like to use only two complementary color washes like yellow and lilac, blue and light orange (beige) or pink and green. When you use a limited palette, it produces a more sophisticated finished artwork. Keep all the colors light for the first pass. You can wash the notes areas as well.

Let the paint dry.

Now go back in with a smaller brush to color some highlighted parts of the drawing like the books on the shelf, coffee cup or plants.

Always work wet-on-dry and avoid painting two different colors right next to each other when the medium is still wet to avoid unintentionally blending the color.

You can repeat this step again for as many times you need to build up the color and to enhance the image.

Crayon and Colored Pencil

Allow the paint wash to dry. It can take until the next day for watercolor paint to dry completely. Go in with some sharp colored pencils in the same color palette you chose before, to add definition to the features in the drawing. Don’t overdo it and avoid the washed notes areas.

Gold Trim

Add some gold trim as a highlight. Take a gold gel pen or gold watercolor or gouache paint with a fine brush (perhaps a size 2) and add a few highlights to the important things in the painting. As tempting as in may be, do not overdo the gold. Allow your artwork to dry fully.

 

Comments and Notes

When all is dry, you can add some notes about the day. Perhaps write what happened, a book you read, who you had lunch with and how you felt.

Add a gratitude part as well for self-care. Here write a couple of things for which you are thankful.

You can add quotes that mean something to you or a line from a song lyric that resonates with you on this day.

This is your sketch journal, and you can write exactly what you want.

Your sketch journal may become a memory of your life. It can be shared with your children when they are bigger. That is up to you.

Back in the Day

In centuries past, women would embroider needlework samplers each year to show what they were working on and the stiches they had learned or perhaps a recipe they had mastered that year.

Needlepoint Sampler

These highly treasured and richly embellished fabrics are like the art and sketch journals of today, which many people are quietly creating at their kitchen tables and in their creator studios all over the world.

Self-care for This Year

You may be doing a bullet journal, art journal or sketch journal or perhaps a combination of all three types of journal rolled up in one. What really matters is the joy and peace you can achieve for yourself, and therefore those around you, through paying attention to your self-care needs and mental health as you work with color and create art.

Art Supplies

Gather Your Stuff

I believe that as artists or aspiring artists yoru probably have all the supplies you need. Reach for what you have and don’t let not having something specific stop you from creating something wonderful.

My Art Supplies

For clarity I have listed links to the exact art supplies I used to create this sketch journal page below.

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Get her newsletter.

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Artist Trading Cards: for Beginner Artists

Artist Trading Cards: for Beginner Artists

Artist Trading Cards: Getting Started

Beginner Artists

If you are beginner artist, or you don’t even consider yourself as an artist just yet, you may be interested in Artist Trading Cards. They are a way to make small artworks that can usually be completed in an hour or so.

As the canvas for each Artist Trading Card is small, it is not as overwhelming as one large sheet of paper to fill. They are what I like to call “gateway” art works (along with Post-it art) that everyone can do.

Artist Trading Cards are brilliant to do at the kitchen table with your children as a quick art project that doesn’t take hours to complete. If you are just starting out with your color creative journey, try Artist Trading Cards.

Read more >>> Make 12 Artist Trading Cards

artist-trading-cards-monogram

The Inspiration for Artist Trading Cards

Artist Trading Cards are useful for all artists. They are quick to make and showcase your art medium and art style

Originally when an artist created a large painting, they often would make several tiny copies of the artwork to give to prospective buyers, galleries or other artists in an effort to promote their craft.

Over time these handy dandy cards have become artworks in themselves.

I like to make Artist Trading Cards to share with my family and especially those who live far away. It is a nice thing to receive a few Artist Trading Cards in the post to add to your collection.

Trade Your Artist Trading Cards

Typically, the cards are swopped or traded between other people. You don’t sell them, but you give one and, if you are lucky, they give you one back.

Over time you will have a vast collection of a variety artist’s work without spending a penny.

At the same time, you have distributed your labor of love to people who may be interested.

Artist Trading Card Size

The size for Artist Trading Cards are quite specific. Each card is 64mm x 89mm or 2 1/2 inches by 3 1/2 inches which is a standard trading card size.

This is the exact same size a a regular playing card.

Artist Trading Card Series

Many painters make a series of cards all in the same vein. For instance, you could do “Monograms” or “Spring Blooms” as I have recently.

spring-bloom-watercolor-atc

Then you make ten or twelve Artist Trading Cards all similar and you can number the individual series 1 of 12, 2 of 12 and so on.

This is a nice way to get better at one particular type of work, Monograms or Spring Blooms, before you move on to something else.

Ideally you could have a series for each month of the year and make lots of cards that are all part of that month’s series or collection.

The Back Matter

On the back of the card, you write a few lines about the cards.

I usually write:

  • Artist Trading Card
  • Artwork name or series name and number
  • Alison Hazel Art
  • The date
  • My signature

artist-trading-card-back

Your Art Business Growth

Artist Trading Cards can be like a business card for artists. After you inscribe your name and the title of the piece that you have created on the back of the card you can get creative here as well. This is also a place to put your website and contact details.

More advanced artists who get into Artist Trading Cards collecting will make individual cards to trade specifically with other artists.

The In Person Trade

Back in the days before lockdown (when we met people face-to-face) you could go to an Artist Trading Card group meeting.

You would take your cards to trade. Perhaps 24 or 36 cards and often the organizer will tell you how many people to expect at their meeting.

You probably will keep one from each series for yourself, then you will trade these cards with the other people who have various themes and will have created different cards.

On meeting day, you will go home with several original works of art signed by people you have met and know. Each card will be special and unique.

Nowadays I find it’s easy to send the cards in an envelope to my family, friends and other people.

Show Us Your Cards

You can buy blank ready-made Artist Trading Cards in better quality and an assortment of cardstock and thicknesses from Strathmore (available at Michael’s craft store) to make better cards.

As the interest in making these little cards takes hold, you can develop your style and the way you present your artwork through the cards.

Every artist is different and each one will work with these cards in their own way.

When you finish a card take a photo and post it to social media with the hashtag #artisttradingcard and tag me @alisonhazelart (so I can find them) I would love to see your work.

Grow Your Collection

You can grow your collections of other artists work or you can simply see the evolution of your own talent through the Artist Trading Cards that you make. Because each card is dated you can look back in a year or two’s time and see just how far you have come on your art journey.

Alison Hazel

Author Bio

Alison Hazel is a woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Send Alison a quick message.

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The Prehistoric Primary Colors

The Prehistoric Primary Colors

The Prehistoric Primary Colors

by Alison Hazel

 

The earliest remaining prehistoric art that early humans created can be seen in the caves at the town of Lascaux in France.





There are other areas in the world with palaeolithic art, but the Lascaux caves are famous for their color, variety and volume of images.

 

 

In this sketch, I tried to recreate the image of the bull and horse from the cave art at Lascaux.

 

 

I used toned paper and the prehistoric primary colors of black, white and red.

I also added some yellow as that was available from burnt umber.

Cave Art

Below is a photo from the caves and you can see the power of the red used.

The early artists made use of the natural bulges, cracks and protuberances of the cave walls to add almost a relief effect to each animal.

 

 

Modern Primary Colors

The modern primary colors are red, yellow and blue.

When mixed in varying degrees you can make all the colors.

Prehistoric Primary Colors

The prehistoric primary colors are commonly known as black, white and red.

The term “Prehistoric Primaries” is one way to express that the early cave painters only had a few natural colors at their disposal.

Limited Palettes

To use a limited palette in art means to only draw or paint with a few colors.

The most limited palette is black and white such as is seen in pen and ink drawings.

 

 

If you add one more color to black and white, such as the cave painters adding red, you can create dynamic images where color is handled carefully to express the meaning of the art piece.

Using a limited palette is a good way to bring focus to your artworks and set the mood for individual paintings.

Your Paint Box

In a beginner’s paintbox of say, twelve colours, there is the tendency to dip into each and every color pan available.

 

 

If you bring some discipline to your color palette you can explore your color techniques and learn a great deal about working with color as you create sophisticated artworks.




Giving

Giving

Giving Philosophy

We would like you to get to know us a little better, so we’re going to share our giving philosophy with you.

With these insights you can decide if we are the type of people you want to follow, support or collaborate with.

Philosophy

We believe that you can’t help everyone and you must decide where to shine your light, warmth, energy and cash.

We have decided to focus our financial help into a narrow sector namely women’s art.

We also favor causes which promote women and art.

Percentage

When you buy one of our designs perhaps a greeting card, Christmas card or other artworks from Redbubble or a coloring book from Amazon, a small percentage of the profits from our art sales is gifted.

Currently this is a micro amount, but we live in hope. We anticipate our giving will grow as our business does, but time will tell.

We would love to do more, and we hope to do so as AlisonHazelArt.com grows bigger.

We want to get this gifting plan in place as early as possible in our company’s growth and not let it be an afterthought.

Give Local

We believe in supporting people in our local area.

We donate a percentage of profits every year to local organizations.

Giving Season

As you may know with the work we do that we strive to live and align ourselves with the natural Sun’s movement and the seasonal changes throughout the year.

This is reflected in our Seasons of Art Group and the Seasonal Art Challenge we started.

Our gifting happens during the giving season which is December.

In time to come this may change, but for now it is our giving plan.

Thank you,

Team Alison Hazel Art

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Guest Writer Guidelines

Guest Writer Guidelines

Guest Writer Guidelines

If you are interested in contributing or sharing your art related journey on our website please read on.

We are always interested in content related to aspiring artists, hobby artists, getting going as an artist, Christian art, Third Age art, the art process and art as self-care.

Here are some writers guidelines to help you.

Collaboration Agreement

When submitting an article to AlisonHazelArt.com for consideration you agree to the following:

  • You confirm that it is your own original work.
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  • You acknowledge that your guest post may be edited.

Content

Please send your material to us in the following manner:

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Finally

We look forward to hearing from you.

Inspiration

For some more inspiration and to see the type of content we post on our site please check out some of our content below.

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