african violet Archives - Alison Hazel Art

GRID ART JOURNAL: African Violets

by Alison | Grid Art Journal, Sketchbooks and Journals

Author: Alison Hazel – Published: December 2024

Grid Art Journal Page: African Violets

Preamble

Earlier

I had an idea about six months ago about creating some artist trading cards for my African violets. Now typically with artist trading cards you do twelve cards. It then occurred to me that I could do a grid art journal page of African violets with six images. So, last week I created a six grid African violet grid art journal page and then it occurred to me, “Why don’t I do another one and video it for you guys? This is what we’re doing today.

Grid Art Journal Page: African Violets

Grid Layout

Today I’m using a Peter Pauper Press A5 sketch book. My grids are 5cm or 2″ square with half an inch or 1cm between them. You can find out more about how to layout an A5 grid art journal page in this video. I have lightly penciled in the squares using a 2H pencil.

Pencil Sketch

One of the ideas, if you’re working with grid art journal sketch pages, is that you can look at one topic. And draw multiple images of the same topic. It’s a way to get your hand in or rather get your eye in on the actual topic. Now generally I would sketch out some concept art on subscript paper first, but because I had already done a 6-grid last week, I’m just going to use that as my template for this project.

Top Left

So, starting at the top left, I sketched in three blooms of the African violet. In this square one there’s no leaves. I’ve put the three blooms together. You will need to pay attention when you’re drawing flowers to how many petals each flower has because some will be different. You can get two petal 3-petal 4-petal, 5-petal and multiple petals. African violets have 5 petals and ideally you want 5-petals on each of your blooms.

Top Right

I chose one particular leaf to try to get a bit of a close up on the leaf of this plant. African violets have rather round leaves. They are quite a dark grey-green and quite furry and soft. Their edges are also scalloped and there are visible veins that curve out and upwards from the main stem.

Middle left

This sketch is one bloom by itself is more of a close up. I’m going to be doing this one bloom in a different colour (not violet) later on. I’m sketching in lightly the five petals. Here you can see the middle yellow bits as well so I make a note of that.

Middle right

In this grid box, I’m drawing a little part of African violets. There is a little yellow pot and it’s standing on a surface. I think there’s four or five little blooms and some leaves sticking out. Here you get a general idea of the silhouette of this plant.

Bottom Left

For the bottom left I also did a plant standing by itself, but this time the angle slightly different, so we’re looking down almost into the pot. It’s a bit of a closer view than the other full plant one. Here you can see a little bit more about how the leaves fall out of the pot horizontally and that the flowers stand up quite straight.

Bottom Right

In the bottom right, I was initially decided wanting to do a swatch of the colours I was using. Then I thought why don’t I write the word “Violet” and swatch the colours in from there. Because there are six letters I divided the block into six divisions. I wrote “V-I-O” on the top line and “L-E-T” on the lower line. Each of the letters will be colored in one of the shades that I was using, almost as a “swatch word” if you will.

Colors

The coloured pencils I use are Faber Castell polychromos in a selection of greens, purples, pinks, blues and yellows. You can buy them one-by-one at art stores, but I was gifted the 72-color tin by my daughter a few years ago which I’m using. I’ll provide the full list of colours here.

Greens: Leaves

Earth green yellowish
May green
Chromium green opaque
Olive green yellowish

Violets, Pinks, Blues: Petals

Purple violet
Mauve
Middle purple pink
Magenta
Rose carmine
Pale geranium lake
Ultramarine
Prussian blue

Yellows: Centre

Cadmium yellow
Dark Naples ochre

Greys: Shadows

Cold grey II
Cold grey IV

Colored Pencil

Top Left

I use two shades of purple on the petals with the lighter in the middle and the darker towards the edges, making sure that all the strokes flow towards the centre. I colored in the centre yellow.

Top Right

I used the darker greens and worked from the outside colouring in the edges and then also where the veins were on the leaves. Choosing dark green colors, I left the light bit above the vein. I came in with the lighter greens and gently went over the veins. Nothing is actually white on the leaf, but the veins are definitely lighter. I gave it more depth by blending the two greens together.

Middle Left

Not all African violets are actually violet, you do get them in pinks and blues as well. I coloured in a two-tone pink African violet again with the darker pink on the outside and the lighter pink coming from the centre. The centre I coloured in the yellow.

Middle Right

I put it in a little yellow pot, ideally it looks like it’s a brass or gold type of pot because I was picking up the yellow from the centre of the African violet plant as they all they all have a yellow centre. I then gave some deeper blue on the table and continued to colour in the rest of the plant.

Bottom Left

With this grid square I colored the plant pot in soft steely looking greys. I worked the petals with a two-tone violet color as well. Again, when colouring the leaves I used two shades of green.

Bottom Right

Because I had intended this “violet” word to be the swatch, which was the original idea, but clearly there’s only 6 letters and I had used multiple colors. I just chose one of the colors from each of the main color families which I was using. So, the “V” is in mauve the “I” is in earth green yellowish, the “O” is in rose carmine, the “L” is in magenta, the “E” is in middle purple pink and the “T” is in dark Naples ochre.

Overarch

Grid Art Journal

This is just me sharing with you how I created an A5, 6-grid art journal page of African violets. Now clearly, you can use any plant in this way. You can pick out bits of the plant like the petals, the leaves, the roots, maybe even say if you did an onion or something, you would be able to do the roots as well.

What I love about grid art journaling is that each one is a very small artwork. Only two inches or five centimetres across. Grid art journaling is a way which I can continue to build my daily art practice. It’s a way that I can work with my coloured pencils in this particular case.

Hobby Artist

I am a hobby artist. I’d like to be better at art. I’d like to paint like Picasso, but at the moment this is the best I can produce. I’m enjoying myself doing these hobby art practice pages in my grid art journal.

Daily Art Practice

I encourage you to start a daily art practice with grid art journaling.

It is pretty simple.

It doesn’t need to be complicated.

It’s something you can do with your kids as well, which I think is a total bonus. Let me know if you’re going to be doing a grid art journal page and which plant you would draw first.

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Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you. Read more about Alison’s story. Get her newsletter.

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Sketching

This weekend I had planned to go to the beach. It’s a short bus ride from my home and very pleasant to spend time there on one of my precious days off. Unfortunately, it continued to rain which seemed to be set in for the whole day. My original idea was to go to the coast and do some sketching of the shore, the seaside, and seascapes. I’m particularly interested in the pebbles and what is brought up on the beach by the high tide. Objects such as shells and seaweed are always interesting things to draw. However, I decided to stay at home because of the incessant downpour.

African Violet

I have a little African Violet plant that I received around Christmas when it was first in bloom. I’ve managed to keep this plant alive and even though the first flowers faded and went. Now five months later in May I finally have the second bloom of glorious violet flowers. The houseplant is quite a bit bigger now and the petals are larger and more prolific. I decided that this little plant would be my nature sketch for today which I will do at home in my creator studio. Not being able to visit the beach to do some sketching this weekend home sketching is the compromise.

Border

In my Leuchtturm A5 sketchbook, I start with a border on my page, even if I don’t stick to it, because it does help to align the image.

Pencil Sketch

Using a 2H pencil I sketched lightly to layout the subject and ensure that the main petals were slightly off center in my composition.

I added a few of the leaves for balance and drew some of them over the border which I thought would be an interesting thing to do.

Black Pen

I went over the sketch with a Faber Castell Artist Pitt 0.3mm pen in black and firmed up the shapes and main details of the plant.

Although the petals are smooth and don’t have much texture the leaves themselves are quite deeply veined.

Upon close inspection I realized how the curves were happening on these leaves even though they are quite furry leaves, they are still somewhat raised and pillow-like where the veins run.

I drew many of the veins on the leaves with the pen.

I could have drawn more leaves, but it seemed overwhelming and as there are plenty of leaves on the plant than there are flowers.

I didn’t want the greenery to overshadow the lovely purple blooms which are the main reason for the drawing in the first place.

Ink Wash

I had recently been watching a YouTube channel by Alex at The Daily Nature Journal about using botanical inks in his drawings and this inspired me to dig out some of my inks.

Not that I have botanical inks (not yet), I have normal inks, but I did have one bottle of Purple Mojo ink from Private Reserve ink company which I’ve had for years.

I dug out this old inkpot, shook it up and got out my palette.

I took a regular paint brush and dipped it in water first and put some water on my palette just a few drops because I was going to dilute the ink down.

It was serendipitous that I happened to have purple ink and I was drawing an African Violet. How convenient is that?

With a wet paintbrush I dipped into the ink and strained quite a bit of it off against the top of the bottle and then ran the ink into the water pool on my palette.

I mixed up the water and ink which dissolves immediately. The water thinned the ink down which is what I was going for.

Ink is not like paint where you must work the pigment, inks dilute rapidly.

To dry paper, I washed the purple ink onto my violet petals. I did end up with quite a few hard edges and thought that I perhaps could have wet the paper beforehand, but I kept going.

I painted a first light coat on all the petals and let it dry a little bit.

I applied a second coat of the same consistency of ink wash over the petals as well.

I let the second coat dry.

Finally, I came back with some stronger ink, straight out of the inkpot, and added a few dimensional shadows to the petals for interest.

I let the ink thoroughly dry before I moved on, but I have to say that with working with ink gets on all your fingers. It stains everywhere and I had to stop and do some washing up of my hands and the palette and brush before I went any further.

Markers

Ideally, I would have done the leaves in green ink, if I had any, but I didn’t, so I turned to my Faber Castell Pitt Artist Brush Pens.

I started running the Warm Grey I around the edges of the leaves because they are much lighter at the edges and I did that for all the leaves.

Next, I took my May Green 170 and colored in some of the main bodies of the leaves.

It’s quite a bright green, so I was a little scared of that, but it turned out well in the end.

The second green I used was called Earth Green 172 and with this I brought more shadows and was running along the edges of the veins and enhancing the puffiness of these leaves.

I tried to work quickly with these Faber Castell Artist Brush Pens because the longer you leave them on the page the darker the color will become.

I went round all the leaves adding the darker shadows to them.

The fourth colour I added to the leaves with a light Warm Grey I 270.

I used it to blend the edges which had the light cream out into the mid green.

I just softened the color down a bit as the leaves seemed a little bit like a hedera helix leaf which has lighter edges and African Violet leaves are really not white at all on the edges, they are just lighter.

I continued a little bit further with the Earth Green just adding finer points along the ridges of the veins on the leaves until I felt I was happy with the work.

The little middle parts of the flowers which are super bright yellow I just added a few dots of Cadmium Yellow 107 in there.

I could have left those areas slightly larger as they did seem to be overwhelmed and crowded out by the purple ink

Background

Finally, I added a light Ivory 103 into the main background of the drawing excluding the border.

I felt this soft color lifted the image slightly without overpowering the plant itself.

I had considered creating the background in yellow to highlight the golden bits in the middle of the petals, but I felt it would be too harsh on such a delicate drawing.