Art Books I’m Reading: Summer 2025

Art Books I’m Reading: Summer 2025

Author: Alison Hazel   –   Updated: August 2025

Introduction

This year I’ve been reading quite a few more books than I usually do. I’m averaging about three books a month. Which is not quite one a week or 52 in a year, but probably I’ll aim for 36 books by the end of the year. 

I couldn’t really tell you why this year in particular I’m reading more, but I think it’s because I’m trying to go deeper on a few of topics. 

A book really does bring great value and can share things with you in an organized yet simple form which I appreciate. So, here’s a few of the many art books that I’ve been reading this summer.

How to Draw a River

Why This Book?

How to Draw a River: From the Source to the Sea is a step-by-step guide created by Alex Boon, a talented nature journal artist based in England.

Longtime readers will know that I am a big fan of Alex’s work. Like me, he found joy in nature journaling and has inspired many others to begin their own creative journeys.

Nature Journaling

About three years ago, I discovered his content and it was one of the reasons I started my own nature journal. You can learn more about my nature journaling journey.

Alex’s approach to art is calm and thoughtful. He often works with colored pencils and simple, expressive sketches that capture the beauty of the natural world without overwhelming detail.

His videos and tutorials are both soothing and inspiring, making nature journaling feel accessible and enjoyable. You can explore his nature journal, creativity and his art channel here.

New Book Series

Last month, I was excited to see that Alex published two new books: How to Draw a River and How to Draw a Tree. Since I live by the coast and often find myself drawing water scenes, I was especially drawn to How to Draw a River.

I purchased my own copy. This book is a true delight with a simple white cover.

It is clear and simple enough for beginners to follow with ease, while also offering plenty of rich information and techniques for more experienced nature journal artists. I like the parts about drawing water when still flowing and cascading as I believe drawing water is hard.

If you are someone who is just starting out in nature journaling or else you want to deepen your skills, this guide provides a wonderful way to connect with the flow of nature through your art.

Where to Get Your Copy

Order from Amazon.

Publisher: DavidandCharles.com

ISBN-13: 978-1-4463148-0-7

Worth Writing Down

Why this Book?

Recently, I had the wonderful opportunity to attend a book event with a close friend who is also a writer. We went to a book promotion held at the Book Warehouse in Kitsilano, Vancouver, featuring two authors.

It was a lovely evening filled with creative energy, and honestly, I had no idea who the authors would be before we arrived.

This outing was part of an art date (AKA Julia Cameron style) which my friend and I are cultivating as we support each other on our own creative journeys.

travel-journal-whistler

Local Author

One of the authors, Jessica Deitcher, particularly captured my attention. Jessica’s book, Worth Writing Down: Ideas for Journaling Your Truest Self, offers thoughtful guidance for anyone looking to explore their inner world through writing.

Her approach feels both grounded and inspiring, encouraging readers to connect deeply with their authentic voices.

This is a gentle and insightful guide for anyone looking to deepen their journaling practice and connect more fully with their authentic self.

 Jessica offers practical prompts, thoughtful reflections, and encouraging advice that make journaling feel approachable and meaningful.

Invitation to Explore

This book goes beyond simple diary-keeping, but rather it invites you to explore your emotions, values and dreams with kindness and curiosity.

What I appreciate most about this book is its balance of structure and freedom. It offers enough direction to keep you inspired but leaves plenty of room for your unique story to emerge. The short art exercises gently guide you to write your truest self without pressure or judgment.

I particularly liked the project about drawing a map, as maps always interest me.

travel-journal-2nd-page-whistler

Creative Journey

Worth Writing Down feels like a supportive companion for anyone on a creative journey. It encourages mindfulness, self-reflection and growth one page at a time. I would recommend Jessica’s book to anyone who wants to make journaling a nurturing habit and at the same time discover more about who they truly are.

I purchased my copy of her book and she kindly wrote a message in it for me, “Your story is worthy! Jessica” I was delighted.

Where to Get Your Copy

The Book Warehouse, 632 West Broadway, Vancouver, (604) 872-5711.

Publisher: The Self-Publishing Agency Inc.

ISBN: 978-1-0689184-0-7

Artist’s Little Book of Color

Why This Book?

Artist’s Little Book of Color by Simon Jennings is a wonderful resource for any hobby artist. As someone who paints for pleasure, I found it both inspiring and practical. Simon takes the time to explain color in all its forms, including hue, tint, tone and pigment.

He also shares the history behind the colors we see on the shelves of art stores today, which makes you appreciate your paintbox in a whole new way.

One of the things I really value in this book is the well-organized index. All the color terms are listed, so if you ever forget the meaning of something like “chroma” or “saturation,” you can find it quickly. It is the kind of reference you will want to keep within reach of your art table.

Ancient Colors

The history of older paints and how they were first created is completely fascinating to me. Many were developed in small home workshops through experimentation and persistence.

Simon describes the earth colors that early humans used in caves, the traditional shades that have been part of art for centuries and the modern colors that have emerged with today’s technology.

Pigments

One of the delights of this book is discovering color names I had never heard of before, such as Caput Mortem, Massicot, and Pozzuoli Earth. Each name comes with its own story and origin.

Simon also explains how manufacturers label their pigments using codes like PBk1, PBr24, and PB15:3, which makes it easier to understand exactly what is in your paints.

If you love the history of color, this book is a real treasure. Every page is filled with information that is both useful and inspiring and it leaves you looking at your paints with fresh curiosity and appreciation.

Where to Get Your Copy

From Amazon

Publisher: Firefly Books Ltd.

ISBN: 978-1-77085-924-1

Overarch

Over to you

What art books are keeping you company this summer?

Do you have those trusty old favorites you pull off the shelf again and again?

I’m always on the hunt for something new to read, so send your hobby artist must-reads my way.

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Get her newsletter.

Artzlife Newsletter

Artzlife Newsletter

Author: Alison Hazel   -   Published: December 2024 Artzlife Newsletter Creative art journal inspiration for hobby artists Welcome to a Place for Passionate Hobby Artists Are you a hobby artist seeking inspiration, connection and gentle guidance on your creative...

Reflections on A Writing Retreat for Artists 

Reflections on A Writing Retreat for Artists 

Author: Alison Hazel   –   Updated: August 2025

Catchup

Recently I have been talking about our writing retreat for artists which we organized this summer.

If you haven’t been following along, you can go back and read:

Introduction

So just as a reminder. I’m talking about a writing retreat for artists. I myself am a hobby artist, but that doesn’t mean I only do art as there is also writing associated with being a hobby artist. Pieces of writing have to be done for my website at alisonhazelart.com

I also have to write this newsletter, which I love doing, but it’s still writing for artists. And then if you do, or do not do, social media, which I have a love hate relationship with, you will need to do some writing for that as well.

Additionally, as an artist and particularly on my online art shop, I have to write about my artwork and about my pieces and about my process. So as an artist, don’t think you will never do writing. You absolutely will do writing and in a way, this is under the category of the business of being an artist because it really applies to all the paperwork and documentation that you have to do as well.

How it All Went

Overall

Overall, we had a great time. The drive out to Whistler was seamless. It was a glorious sunny day and we took our time to stop halfway and pick up a Starbucks coffee which was great. Also that gave us some time to stretch our legs. We arrived at the hotel just after lunch time.

 

Hotel

We were able to check in immediately, which was wonderful and the concierge was able to converse with my friend in her native language of French, which was lovely. This touch made her feel very welcome as well. We managed to get rooms on the same floor, but not adjacent which was ideal.

Amenities

The hotel had a coffee shop, a restaurant and a pool. My friend did use the pool over the weekend and even though I’d taken my swimming costume (swimsuit), I never quite managed to take the plunge.

Getting it Done

We loosely followed the timetable which I had laid out beforehand and we did adapt it to suit our needs as well. What really happened was that we were able to get multiple chunks of time to get to the writing we needed to do.

Timetable

For instance, the writing on the Sunday afternoon was scheduled for between 2:00 and 4:00 PM. We definitely started at 2:00 PM but having that end time would great thing because. On the occasions when I felt I had nothing else to give at that point, I was able to stop and feel fine. 

However, if I was in the zone with my writing, I would push through the scheduled end time and finish off the thoughts I had in my head or whatever it was I was doing. The point being that the timetable helped because it did give us a structure to the writing, otherwise we would have started in at sunrise and finished at sunset.

You just can’t do that.

You get drained.

Anyone who does writing will know that or any creative activity you only have so much at a time. The timetable did help because it gave the option to say, okay, I’m done for now and I’ll come back to this writing in my next writing segment later in the day or tomorrow morning and at the same time I could push through if I wanted to. So yes, the timetable was a great thing.

Meals

Breakfast

Of course, when you’re away, you still have to eat. So personally, I’m not much of a breakfast person and I was quite happy to just go with coffee and a croissant which worked well for me.

Lunch

At lunchtime we tended to walk into the Whistler Village and find a little pavement cafe, where we could pick up a light lunch salad or quiche Lorraine or something like that. That was great because we’re out in the fresh air, we could see the mountains, there was lots of people there, but Whistler is a place that is geared up for tourists, so they were organized.

Dinner

Dinner was far more exciting. Having done our afternoon writing sessions and maybe had a bit of a lie down, we rendezvoused in the lobby at 6:00. We took a slow stroll up to the main village to find a finer dining restaurant.

As we were only having dinner on the two nights, the Sunday and the Monday it seemed a good idea to invest in ourselves and get a worthwhile meal. Our first dinner was at a place called the High Mountain Brewery. We both chose the Peak-to-Peak bacon cheeseburger with yam fries (yes, I know not quite fine dining). 

I believe the name Peak-to-Peak is a reference to all the mountain ranges which surround Whistler, where summer hikers trek, or even winter skiers, from one mountain peak into the valley then up to the next peak. I had apple juice and normally I would have had wine, but it was so darn hot.

The second evening we found a restaurant closer to the hotel so there wasn’t as much walking, but it had far superior cuisine. We had a glorious meal there with some exceptional wine.

Side Quest

Online Class

I’ve been taking an online class with a college in London, England. It spans 10 weeks every Tuesday at 10:30 AM. As we were actually in Whistler on the Tuesday morning, I wanted to organize a space where I could have this online Zoom class. I didn’t want to miss out because it’s essential to attend most of the lessons to get the credit for the course. 

I had originally thought that I could get a business room in the hotel or even extend our checkout time from 11:00 AM to 4:00 PM, which would have been covered this time, but unfortunately the hotel had neither a business room nor would they allow an extension because they were at 103% occupation already.

Library

So, conveniently for us, the Whistler Library was across the road from the hotel. I decided to check it out the first day I arrived when I realized I couldn’t get a room in the hotel for my online class. I entered Whistler’s Library to see if they had a space which I could rent or borrow for the period for my class. 

To be honest, coming from the big city where the libraries quite substantially over eight floors and massive, Whistler library was delightfully quaint, super modern, but still delightfully quaint.

Study Room

The librarian on the inquiries counter was happy to say that I could book one of their study rooms, but only from 11:00 AM on the Tuesday. Do so I would have to become a member of the library and so that’s what I did. I joined up the Whistler Library, I’m now a member, then I was able to book the study room and I would only miss the first half hour of my online class, because the class started at 10:30 and could I only get the room from 11am when the library opened. 

I did inform my online tutor, Mark, that I would be arriving late to his class and that I would be in a public space for the lecture and I would have to end at eleven sharp, as he tends to overrun a lot of the time. Mark said that was all OK.

Checkout

On the Tuesday morning, we checked out the hotel and put the bags in the car. My chum took a walk through the Whistler village and I went into the library and had my online class. The library staff were amazing, the air conditioning was marvellous and all went well. I felt fortunate that I was able to continue doing this online studying through my college without having to miss a beat. Just because I went away in a writing retreat for artists I did not have to miss out.

Togetherness

Time

Before we went away, we had never spent much time together. In fact, I have only known her for six months, so we weren’t really quite sure how well we were going to get on as we would spend quite a lot of time in each other’s company over the three days.

Common Ground

But I am delighted to say that we really got to know each other. We found we had numerous things in common with our families and our life histories. I feel I really understand her a lot better and, more importantly, the writing project she’s working on. 

Now I have somewhat of a grasp about how she’s wrangling away with her novel. Whereas previously I had no idea the struggle of corralling characters in a book, because I don’t do fiction writing, I do just do blog writing.

Friendship

I’m pleased to say that coming away from the weekend, yes, we are still good friends and yes, we’ve seen each other subsequently and had other exciting adventures. It’s not always easy to make friends in later life, so I cherish this friendship which has sprung up between myself and my new friend. She sent me her perspective on how good our writing retreat was for her, and you can read it below.

Johanne’s Comments

Our writing retreat in Whistler accomplished two main goals for me: it gave me a chance to relax and help me organize my thoughts into a more structured synopsis. It was the first time I’d created a visual synopsis, and it really helped me define each part and chapter of my book.

For historical fiction, there’s a lot of information to gather, and when it comes time to put it on the page, you don’t want to just dump it into any scene. Instead, you want to work it in naturally, so the reader doesn’t really notice that these details are being shared along the way.

The days I spent with Alison helped me refine the synopsis of a major section of the novel, work on scenes that included a lot of historical detail and dialogue, and prepare another set of visual aids—family trees, a map of main my main character’s actions, and a layout of the setting where the novel takes place in the 1930s.

I came back rejuvenated and full of ideas for how to structure my novel. I’m so grateful for the time spent with Alison and for the chance to benefit from her organizational and artistic skills.

I sincerely hope this was the first of many writing retreats for us, and that it’s just the beginning of a long creative journey we’ll share together.

Overarch

What are You Waiting For?

If you are a hobby artist, and you do a little bit of writing, then I would urge you to plan yourself a writing retreat. You could approach this in two ways either:

  • Go by yourself
  • Go with a friend

Of course, there are many organized writing retreats with fifteen or so people that go away together and enjoy yoga in the morning and meditative chanting in the evening, but those gatherings that have never quite interested me. 

Clearly, you don’t both have to be artist to go on a writing retreat. I do art and writing on the side, but my friend is crafting her historical novel. If any of this interests you, my question then is, “What are you waiting for?”

Inspiration

I hope these posts have inspired you to consider doing a writing retreat for yourself as an artist. It does occur to me, of course, that this writing retreat which we went on this summer could have very easily been an artist’s retreat as well. Now that would be something interesting which I may consider doing in autumn. Clearly, the difference between an artist retreat is that you’re doing art everyday whereas with a writing retreat, you’re doing writing every day.

Moving Forward

I love the idea of a weekend retreat away with friends. To get away from your normal life, where you can concentrate for a couple of days to move your project forward, whatever your current undertaking happens to be.

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Get her newsletter.

Artzlife Newsletter

Artzlife Newsletter

Author: Alison Hazel   -   Published: December 2024 Artzlife Newsletter Creative art journal inspiration for hobby artists Welcome to a Place for Passionate Hobby Artists Are you a hobby artist seeking inspiration, connection and gentle guidance on your creative...

Sigils as Art

Sigils as Art

Author: Alison Hazel   –   Updated: May 2025

As a hobby artist, adding SIGILS is a creative way to begin weaving words and meaning into your artwork without using traditional text.

Sigils as Art

The History of Sigils

Ancient Beginnings

Sigils are symbolic representations used to focus intention, store meaning or convey secret messages. The word sigil comes from the Latin sigillum, meaning seal. These mystical markings have evolved over time, weaving through ancient magic, religion, art and modern spirituality.

The Roots of Sigils

The roots of sigils can be traced back to the earliest human civilizations. Ancient peoples used symbols and marks to represent divine beings, magical forces and protective energies. Throughout earliest civilizations, people created symbolic languages to represent the unseen forces that shaped their world.

Though not called “sigils” at the time, these symbols functioned in similar ways to convey power, protection, identity and spiritual meaning.  I’m just going to take a closer look at three influential sources.

Mesopotamian Cylinder Seals

In ancient Mesopotamia (circa 3500 BCE), artisans carved intricate designs into small cylindrical stones. These cylinder seals were then rolled across soft clay to stamp a unique imprint, often used to sign documents or secure goods. These cylinder seals are much like those fancy embossed rolling pins used for shortbread at Christmas to add thistles and other simple designs.

Each seal was personal, symbolic and sometimes featured deities, mythical creatures, or scenes of high ritual significance. They functioned both practically, as legal signatures and magically, believed to invoke divine protection or authority.

The repeated use of these symbols did create a kind of ritualistic magic to embed intention and identity in the daily act of sealing (or baking). These seals are some of the earliest known examples of humans using symbolic designs for both earthly and spiritual purposes.

Photo credit: Armstrong Institute of Biblical Archaeology

Egyptian Hieroglyphs

The ancient Egyptians developed one of the most sophisticated symbolic languages in history which are the hieroglyphs. Hieroglyphs were used from around 3100 BCE and each hieroglyphic character held multiple layers of meaning: literal (a sound or word), symbolic (a concept) and spiritual (an energy or deity). These symbols were often used in tombs, temples and amulets to invoke blessings, guidance, or protection in the afterlife and they were encased in cartouches for people’s names.

See Cleopatra’s cartouche below.

Hieroglyphs weren’t just writing as they were seen as living symbols, infused with the creative power of the gods, particularly Thoth, the god of writing and magic. Certain hieroglyphic combinations were crafted as protective spells or powerful names, acting much like modern sigils in their intent and energy.

Norse Runes

The runic alphabet used by Germanic and Norse peoples from around 150 CE consisted of characters called runes, each representing both a sound and a spiritual concept. Runes were carved into wood, stone, bone and metal for use in divination, magical protection and sacred communication. Each rune was more than just a letter.

For example, Fehu () stood for “wealth” but also symbolized abundance, success and fertility.

bluetooth-symbol

Bluetooth

A rune you probably know is the one for Bluetooth which began as a code name for the actual software but the name stuck.

Runes were often arranged into bindrunes which are two or more runes combined into a single symbol, much like modern sigils, to concentrate and amplify their power. Runes were used in rituals, worn as amulets and etched onto weapons or tools, imbuing everyday life with mystical significance and divine intention.

Common Threads

Though these ancient systems that I’m mentioning emerged in different cultures and continents, they share a deep, intuitive understanding with three highlights:

  • Symbols have power.
  • Shape and form can carry intention.
  • Designs can act as a bridge between the seen and unseen worlds.

These early symbolic languages laid the foundation for sigil-making as we know it today. Sigils is a way to transform ordinary letters or images into sacred signs which carry energy, will and wonder. These early symbols were often used in ceremonies, rituals and written charms to invoke protection, prosperity or guidance.

Medieval Magic

The Occult

In the Middle Ages, sigils took on a more formal role in some Western occult traditions. They were sometimes used by magicians and alchemists to represent angels, demons, or spiritual entities. Grimoires (magical textbooks), like the Lesser Key of Solomon, included elaborate sigils to summon and control spirits used sigils. Herbalists and astrologers use sigils to encode rituals, names of power and cosmic forces. These sigils were often believed to shrink divine or magical energy into a visible form.

The Chaos Magic Movement

Statement of Intent

In the 20th century, sigils were revived and reimagined by modern occultists especially in the movement known as Chaos Magic. Pioneered by practitioners like Austin Osman Spare, this new approach simplified sigil creation. Spare taught that a sigil could be made by writing a statement of intent (like “I am confident”).

Repeating Letters

Another way is to remove the vowels and repeating letters, so Johanna becomes JHN and Alison becomes LSN.

Abstract Design

Additionally, you can rearrange the remaining letters into an abstract design. At this point you can see the reflection in many business logos as well. This design (the sigil) was then charged with energy through meditation, ritual, or focused visualization and left to work on the subconscious mind. This method focused on personal intention and creative expression.

Modern Use

Artful Expression

Today, sigils are experiencing a renaissance but not just in magical practices but also in art, design, tattoo culture and personal growth.

People create sigils to:

  • Set intentions or goals.
  • Represent their name or identity.
  • Focus meditation or mindfulness.
  • Add mystery and symbolism to artwork.

I like to use techniques like sigil maps to blend order (like the alphabet) with creativity and perhaps spiritual meaning.

Sigil Maps

Turning Words into Symbols

A sigil map is a creative tool that transforms words into unique symbols by mapping letters onto a series of circles. It’s a simple yet magical system like a visual code where each letter of the alphabet has its own place, allowing you to draw a sigil (a symbolic design) that represents a word or phrase.

The Structure

Three Concentric Circles

To start, draw three concentric circles, one inside the other, like a ripple in a pond. 

  • Outer Circle: Divide this circle into 13 equal segments (+/- 27.7°)
  • Middle Circle: Divide into 8 equal segments (45°).
  • Inner Circle: Divide into 5 equal parts (72°).

These numbers 13, 8 and 5 are part of the Fibonacci sequence which I’ve spoken about before and is a pattern found throughout nature, from flower petals to pinecones. Using this natural sequence brings an organic and natural harmony component to your sigils.

 

Mapping the Alphabet

Now, assign the 26 letters of the English alphabet to these segments:

  • Outer Circle: Start at the top right and move clockwise, placing the letters A to M (13 letters).
  • Middle Circle: Continue from N to U (8 letters).
  • Inner Circle: Complete the alphabet with V to Z (5 letters).

Each letter now has a unique place on the map. You can check your diagram against my sigil map.

Drawing a Sigil

From a Word

To create a sigil from a word:

  • Lay a sheet of tracing paper over the sigil map.
  • Plot the first letter of the word on the map and mark with an open dot (a circle).
  • Draw a straight line from that letter to the next.
  • Continue connecting each letter in the word until you reach the last letter, now mark with a short line or arrowhead.
  • The resulting shape is your sigil which is a visual symbol of your word.

You can keep it simple with lines, or add curves, dots, or embellishments for a more artistic touch.

Intention or Meditation

Focus Points for Inner Work

Sigils are powerful additions to spiritual or meditative rituals. They can help you focus your intention and anchor your energy. In intention work, a sigil can be drawn on paper, carved into a candle, or written with herbs or water as part of a ritual. In meditation, you can gaze at the sigil to quiet your buzzing mind and tune in to the frequency of your intention. You might burn, bury, or release the sigil after the ritual by symbolically letting go and trusting the universe to carry your message.

Hidden Messages

Write in a Visual Code Just for You

Because sigils are abstract, they make excellent secret symbols. Maybe you can weave them into your life in subtle ways that others won’t recognize. Leave a sigil in a letter, a notebook margin, or even on a wall as you mark. Perhaps you could stitch one into your favorite clothing or write it in invisible ink. Possibly you can use sigils to encode affirmations, memories, or even your computer passwords in visual form. This is a beautiful way to embed meaning into the mundane, turning everyday life into a personal ritual.

One Word Sigil

Alison

In general, you would do a one-word sigil perhaps of your name. So, here I’m showing you what my name, Alison, looks like as a sigil using this particular sigil map.

One Phrase Sigil

Motivational Phrases

You could do a motto or motivational phrase as a sigil. Sayings like, “no pain, no gain” or “fortune favors the brave” make good phrase when sigils. If you have a family or company motto you can do a sigil for that as well.

I Love You

How about trying a phrase like, “I love you” which will look like this?

Where to Use Sigils

Everyday Life and Spiritual Practice

Sigils are not just abstract symbols, but rather they are tools of intention, creative expression, and personal power. Once you’ve created a sigil, you can place it in meaningful spaces to amplify its purpose or keep it close as a quiet reminder of your inner magic. Here are some inspired ways to use your sigils:

Tattoos

A sigil tattoo can easily serve you as a permanent affirmation, a protective charm, or a hidden mantra that lives on your skin. Because sigils are abstract, only you (or those whom you choose) may know what they mean. You might ink a sigil tattoo for strength, self-love, healing, or a deeply personal word that’s transformed into art. Placing the sigil on a meaningful part of your body can enhance its symbolic value over the heart, the wrist, the spine, or anywhere that feels significant.

Art Signatures

Instead of signing your name in the usual way, you can use a sigil as your artistic monogram. This creates a unique identity for yourself and adds a layer of mystique to your work. It allows your energy or message to be embedded in your creations without revealing everything to the viewer. Whether on canvas, digital art, sculpture, or craftwork, a sigil-signature makes your work feel more intentional and sacred.

Journals and Sketchbooks

Use your sigils to decorate or mark your journal pages, sketchbooks, or planners. You can draw a sigil at the top of a page to set an intention for the day. Perhaps add one to an art journal entry to seal your thoughts, like an energetic lock. Include sigils in your vision boards or creative brainstorms to direct the energy you want to silently call in. This quiet, consistent practice adds can offer depth to your self-reflection and creative life.

 

 

Overarch

Why Sigils Endure

Sigils have been, and are still, kept alive across the centuries is likely their powerful combination of meaning and mystery. They allow us to hide something precious in plain sight like a word, a wish, a truth and turn it into something beautiful and uniquely ours. Perhaps you can bring a sigil into your art practice. Let me know how you get on.

sigils-as-art-pin

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Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you. Read more about Alison’s story. Get her newsletter.
Artzlife Newsletter

Artzlife Newsletter

Author: Alison Hazel   -   Published: December 2024 Artzlife Newsletter Creative art journal inspiration for hobby artists Welcome to a Place for Passionate Hobby Artists Are you a hobby artist seeking inspiration, connection and gentle guidance on your creative...

Concertina Sketchbook

Concertina Sketchbook

Author: Alison Hazel   –   Updated: April 2025

Concertina Sketchbook: Vancouver Seawall

There are many types of sketchbooks and I’ve spoken about a few hereThis week I’m chatting about a fabulous architectural sketchbook which I’ve recently completed and that is a concertina sketchbook. This is not likely to be the first sketchbook you get, but it is definitely a fun one.

Concertina Sketchbook

A concertina sketchbook is one long continuous page folded into a concertina fashion. It has a hard cover at both ends. They are also called accordion sketchbooks, zig zag sketchbooks or continuous sketchbooks.

Video

You can see the process video below .

This is where I talk you through everything that I did to create this special concertina sketchbook.

Sketchbook

Concertina

I ordered my A5 concertina sketchbook from Seawhite on Amazon. It was shipped from the UK and arrived in about four weeks. To be honest, I’d forgotten that I’d ordered it until it arrived. But when it did, oh my…

It has two pages sandwiched together back-to-back and you can draw on both sides if you want to. The paper is watercolor quality so it is super robust for most applications. It comes in a handy dandy cover to contain the spring of it all.

Process

Map and Layout

 

There may be other ways of using this type of sketchbook, but I’ll tell you how I did it. I live in Vancouver and the city lies on a peninsular with water on 60% of the sides. To help you understand what I sketched, here is a map of the Vancouver city peninsular. You can see that there is a lot of coast that wraps around the downtown core. The rest of Vancouver and the suburbs is south or below.

Topic Selection

I decided to draw the whole sea scape, sea wall and or promenade of the coast looking outwards as seen from the city side of the water. There are multiple bridges and these were how I initially paced the pages in the layout. I’m drawing it clockwise from the Science World sphere and choosing only certain features to add. The arrangement of the pages took some time as I wanted the flow to be as balanced as possible.

Concertina Path

The red dotted line shows the path that aligns with the concertina pages. I’m on the mainland looking out towards the sea.

Pencil Sketch

Layout

First, I sketched out the layout for the coast with my 2H pencil.

Front Page

I left room for an open page at the front, like a frontispiece page, and here I wrote the year I started it, 2024.

Back Page

I only finished it in 2025 so I wrote that date there. I still have some more thoughts to write and these ideas will go on the back page.

Black Pen

Thin to Thicker

When I was happy with the penciled layout, I began inking the drawing. I started with a very thin 0.1mm pen to lightly get the outline of horizon and the hills across the water. Then I moved onto a 0.3mm pen for the foreground bridges, the lighthouse and the other main structures along the coast. For some buildings very close up I used a thicker 0.5mm pen

The penning took ages and I did it over several weeks as I was not rushing at all. After I was happy with the inking, I erased all the pencil marks.

Colored Ink

I began with colored acrylic inks. I used my Windsor and Newton inksInks are less forgiving than watercolors, but I wanted to practice more with this medium. I’d done other ink sketches and swatches before. I began with the lightest colors first and I began on the sea.

I used:

  • Blue
  • Emerald
  • Cobalt

I thinly washed the whole book on the sea part using a combination of the three inks colours which I have, emerald, cobalt and blue. Then I spread the whole thing out to dry.

Pages

Structure

In my sketchbook, I designed it so that each open double spread contains one specific feature be it a bridge, boat, the lighthouse or the nin o’clock gun. I made sure to run each double spread image over the edge of the page, so you are encouraged to turn the page or indeed open up the concertina to see the whole picture. In this way it become an interactive book and like an adventure.

Ideas for Using a Concertina Sketchbook

Horizontal Drawing

Ideally a concertina sketchbook lends itself to a long horizontal drawing. Some examples of this are:

  • You could do a city street with rows or buildings and trees and so in
  • You could a 360° landscape from the top of a hill.
  • You could do a full circle of your own garden and house and include all the buildings, the potting shed, garage, greenhouse and fishpond or whatever fun features you have in your back yard.

 

A Seasonal Frieze

Use the concertina sketchbook to capture the changing seasons throughout the year. Start in January and divide the book up before you start into twelve months so you can add the natural changes as the seasons develop. Like a nature journal,

Tell a Story

You can tell a story. Perhaps tell the story of your family and your life or a more well-known story from a part of history that interests you. For example, the Bayeux tapestry tells the story of the events which led up to the invasion of England and the Battle of Hastings in 1066.

Record your Travels

If you are going on a long journey, or a one-off world cruise, your concertina sketchbook can be a record of your activities. As a timeline, you can use the length and divide it up into the days or weeks of your great travel adventure. Note what you did and where you went on separate double page spreads. The story of your epic voyage will be from the start to the end.

Honeymoon

Perhaps you decide to go to New Zealand for a fortnight on your honeymoon (as my friend did), then you can capture the main highlights of the trip in your concertina sketchbook. This then becomes a part of your wedding memories and can be enjoyed in years to come by your kids and other family members.

Color

Colored Pencils

Over the next few days, I started to use my Faber Castell polychromas coloured pencils. I started really with the buildings in shades of grey, cool greys and warm greys and some beiges. I went through the concertina and did all the buildings first. Then I started on the trees and used several different colours of green to work through the trees as I flipped through the sketchbook. 

Once I’d picked up one colour of green in my hand, I went through the whole book with that colour. Then I started back at the beginning and took a lighter green and continued on in that way. It took a while. Quite a while.

Markers

Wanting to bring some other features into higher focus, I chose to use some of my Tombow markers to add definition to some of the actual features. Features like the lighthouse, the Totem poles and The Drop and some of the boats and so on. I want to say it was sparingly that I went through and added richer colour with markers. I spent several days tinkering away with details and in some places going back in with my black ink pen to more clearly defined the foreground features as I thought best.

The Sun

I did originally create the Sun in yellow as it was setting over English Bay. The reason I colored the Sun in that way, fading onto shades of pinks, mauves into blues, was that I just didn’t want the whole sky just to be blue from one end to the other. I was trying to show a little bit of interest, changing the sky as well as I had done with the sea, working with the different colours of inks. I attempted to show some clouds as well just to add extra interest.

Is It Finished?

Nearly

Now when I got to this stage, I was pretty happy with how this sketchbook was looking. It did occur to me that I will probably tinker with this concertina sketchbook of the Vancouver Seawall. I may perhaps even fiddle for a few more weeks, adding bits and bobs, bringing more features to life and adding a bit more colour here and there.

Almost

I think the real question is when is an art piece finished? This concertina is not quite finished yet. I realize that, but I wanted to show you how I’ve created it and the potential for using concertina sketchbooks overall.

 

 

Overarch

Annually

Using a concertina sketchbook is not likely to be something that I will do all the time. I perhaps will do another one next year if I find a suitable subject. Overall, I love how this Vancouver seascape has turned out. Not everything in the sketchbook is to scale, but rather there is a good representation of the whole seaboard that surrounds the city.

The Future

I’ve already ordered my next concertina sketchbook, so I’ll have it ready for when the urge presents itself. I can’t wait…

Over To You

Have you used a concertina sketchbook? What would you draw in one? I’d love to hear from you.

References

Photo Credits

Lions Gate Bridge photo by Priscilla Du Preez 🇨🇦 on Unsplash

Granville Island photo by Mia de Jesus on Unsplash

Burrard Bridge photo by Jorge Ramirez on Unsplash

Siwash Rock photo by Brandon Brown on Unsplash

Brockton Lighthouse photo by Willian Justen de Vasconcellos on Unsplash

Totem Poles photo by Itsuka Iwaki on Unsplash

9 O’clock Gun photo by Albert Stoynov on Unsplash

Float Planes photo by Aditya Chinchure on Unsplash

The Drop photo by Pascal Bernardon on Unsplash

Port Vancouver photo by Ronin on Unsplash

Canada Place photo by Lauren Kan on Unsplash

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Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

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Artzlife Newsletter

Artzlife Newsletter

Author: Alison Hazel   -   Published: December 2024 Artzlife Newsletter Creative art journal inspiration for hobby artists Welcome to a Place for Passionate Hobby Artists Are you a hobby artist seeking inspiration, connection and gentle guidance on your creative...

Neurographic Art Grid Journal Page

Neurographic Art Grid Journal Page

Author: Alison Hazel   –   Updated: March 2025

Neurographic Art

About three years ago I came across the technique of neurographic art. When you see neurographic art you’ll realize that we’ve been doing all along, but since Pavel Piskarev coined the phrase and put it out there, it became clearer on how to use neurographic art in your art practice. 

For a quick overview, neurographic art is a practice you can do which brings focused thought to the art piece on which you are working. In a way, it’s almost like a meditation or therapeutic art piece. Neurographic art can be as simple or as complex as you like, and you can add embellishments as well to the piece. I created a basic neurographic art explainer video if you need a little more.

 

Artist Trading Cards

Around two years ago I did some work with artist trading cards and I used the neurographic. method for them which was quite a lot of fun. I still have some of these cards and because they’re trading cards, you trade them with other artists. Since then I’ve probably traded five or six cards, but I still do have half of the full twelve pack with me. 

Then towards the end of last year, I started working with grid art journaling, where you get six blocks on the page, or different shapes on the page, such as hearts and so on. This week it occurred to me that I should do a neurographic grid art journal page, so that’s what we’re doing this time.

What’s on Your Mind

Question Wrangling

One of the benefits of doing neurographic art is that it calms your mind. This is done if you have a troublesome question or decision that you have to make. Say for instance, your question maybe, “Should you move and downsize to a smaller apartment?”

Moving house is a huge decision to be made of which there may be many permutations, such as:

 

  • I’ll miss my garden…
  • Will I like living in a high rise…
  • I’ll have to get a new job, but it’s in a bigger city, therefore the chances are better…
  • What about the children’ school…
  • Perhaps I’ll have to put the dog in a kennel for a week…
  • Then there’s the moving truck fees…
  • I’ll have to find a new church…
  • I’ll have to go to a new yoga studio…
  • Will my fabulous cat, Mr. Pickles, run away, or get lost…
  • Will I make new friends…

 

Ruminating

Life’s questions can be complicated, but these are the ideal ones to pose as you do neurographic art in any form. Your question doesn’t have to be complicated and in fact, it doesn’t have to be a question at all, but it could just be something that you are ruminating on. Perhaps it’s about what happened yesterday or a conversation you had last week and you’re just trying to clear your mind. This is the time to do some neurographic art. Let’s get started.

Blank Page

On Your Mind

If you do have a question or something you’re ruminating on or something that’s been worrying you, before you start, write this down either at the bottom of the page or on the back of the actual artwork. It doesn’t have to be complicated. You could just put the words “move?” or “new job” or anything which is troubling you for which you want to try and find some resolution. 

I’m not saying that you’re going to have the answer at the end of it, but your thought processes of creating this neurographic art and the alignment of the synapses that occur in your brain as you think will possible provide fresh ideas for you. The idea is that this neurographic art technique will ease your mind and benefit your mental health.

Draw the Grid

2:3

For this grid page I went back to basics and chose the two by three (2:3) 5cm or 2-inch squares in my A5 sketchbookAs a reminder, you can check out how to set up a grid art journal page with six blocks in this manner.

 

Circles

Start with some circles and you can use a template for this or do it freehand. As I wanted to lay them out in some type of compositional form within the block I did each of the circles a different size. In each of the blocks, I sketched one or two circles lightly with my 2H pencil.

 

Neurographic Lines

Inside each of the blocks, I drew one or two neurographic lines going from one edge through to the second edge as by now you know that neurographic lines never dangle. These lines break up the six blocks into smaller sections, as we will see later.

neurographic-grid-art

Inner Corners

Next comes the fun part where you start with your black ink. I used a 0.3mm black pen, but you can used whatever pen you have to hand and it doesn’t have to be black. Curve in each of the corners and so for the four corners on each block I curved them in. I used about a 3mm radius here for each corner arc. If the curves are too thin the piece looks kind of spindly. So those are the four corners neatly rounded.

 

Intersections

Then I turned my attention to the intersections where two lines cross, or where a neurographic line overlaps with a circle, or where two circles meet. Anywhere where two lines cross each other will be an intersection, and every crossing needs to be curved. If your lines are very close together, you will end up with a very small blob shape and that’s okay. Depending on the angle at which the two lines come together, the junction might be quite whopping as well, and that’s acceptable too.

No Rush

Inking the intersections is the stage where you are mentally getting into the zone, finding your flow state and contemplating the question or issue which you put before yourself earlier. Take your time here, there is no rush. In fact, I took a full day from starting the curves on these corners and intersections and then I left my sketchbook overnight. 

Returning to it the next day I could see the page with fresh eyes and was able to find the bits I wanted to smooth out further. I really didn’t like some of the pointy looking corners I had, so I smoothed out my curves even deeper and in this way laid down more black ink on the sheet.

Pattern

Now you have a page with several open squidgy areas, also known as blobs, and here you can definitely get creative. You can add patterns like swirls, zigzags or waves as you see fit. For guidance use your intuition and don’t feel the need to overdo it. To have one focal point (blob) in each block is a good idea. Try to think back to the issue you posed before you began and let your thoughts run on that path and create new tracks.

Colour

The next step is to add some color in the open shapes. Only as your art piece evolves can you decide on color. If you make the page too busy with multiple patterns and colors it can become somewhat of a blur overall. I like to use a limited color palette when I’m working on such small sketches like in this grid art journal page. This time I chose pinks and greens.

Embellishments

But wait, there’s more! Now you can add some embellishments if you like. I typically add some flourishes of gold pen here and there and that seems to be enough for me, but you could collage some sequins, ribbons or other trimmings if you like. It’s up to you.

Creating Grid Art Pages

Why

I think that the practice of creating grid art journal pages in your sketchbook has two main benefits and it could have more if I thought about it longer.

 

Practice Art

The first benefit is that it gets you doing daily art practice and you keep sketching your art in your style. I do like the idea of doing the weekly or daily art practice. This is why I love using my grid art journal sketchbook and you can get a peek inside.

 

Concept Art

The second reason to work on your grid art journal pages is as micro concept art ideasIn general, concept art is a form of visual storytelling used to convey ideas before the final work is developed and is a process which allows creators to experiment with ideas quickly. With concept art the goal is to capture the essence of a concept, ensuring a clear and cohesive vision. It’s a way that something which evolves in one of your blocks, in one of your grids, on one of your pages, may one day be the genesis for a larger drawing or painting piece which you can later develop further. Clearly, not everything you doodle in our grid art journal is going anywhere, but some of it can.

Last year I took one of my grid art journal pages and developed it into the illustrations for a children’s book which I’ll explain more about one day. And to be perfectly honest, of all the sketches I’ve done in my grid art journal pages, only the sea star page did develop into something further. Although I have taken a couple of the sketches that came through my grid art journal page earlier and created larger images which I’ve used on greeting cards and you can check out more of those in my art shop.

 

Overarch

Let Me Know

Let me know if you’ve tried grid art journaling or if you tried neurographic art at all and how you are getting on.

pink-green

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Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Get her newsletter.

Sketchbook African Violet Ink Wash

Sketchbook African Violet Ink Wash

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Artzlife Newsletter

Artzlife Newsletter

Author: Alison Hazel   -   Published: December 2024 Artzlife Newsletter Creative art journal inspiration for hobby artists Welcome to a Place for Passionate Hobby Artists Are you a hobby artist seeking inspiration, connection and gentle guidance on your creative...

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